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PAIN IS TEMPORARY PRIDE IS FOREVER. Rosebud, Dublin (EIRE) – Year 9. Breaking News

Countering the Paradigm of Arab Othering Through Art

Uno stupido che cammina va più lontano di dieci intellettuali seduti (Jacques Séguéla)

Il giornalista è stimolato dalla scadenza. Scrive peggio se ha tempo. (Karl Kraus)

TahaHussein%20%20Hazem%20review%20of%20%20View%20from%20inside%2010-29-2014Contemporary Arab Photography, Video and Mixed Media Art: View From Inside
By Karin Adrian von Roques
Schilt Publishing
Amsterdam, NL, 2014
by Rebecca Joubin. The beautiful and visually powerful book “Contemporary Arab Photography, Video and Mixed Media Art: View From Inside” features a selection of photography, video, and mixed-media art created by 49 Arab artists from thirteen different countries. These include Bahrain, Egypt, Iraq, Lebanon, Morocco, Oman, Palestine, Qatar, Saudi Arabia, Syria, the United Arab Emirates, and Yemen. The heightened interest shown by the Western world for the art of the Arab and Islamic worlds, as well as the rise of galleries catering to this interest, inspired the production of this book. Its publication coincided with an exhibition of the artwork featured within its pages.

Offering several introductory articles as well as a multitude of colorful photographs showcasing the diverse talents of leading artists from around the Arab world, this colorful book give voices to individuals who would otherwise remain unheard. Not only does the artwork depict the powerful connections between these artists, who continue to work and live in the Middle East, but it also speaks to individual experiences, thereby challenging dominant paradigms of dismissing diversity through othering the Arab culture into one homogeneous whole. This book gives voice to a generation of artists who came of age during the expansion of satellite television, digital technology, and the Internet in the Arab world, and we see the multitude of ways that technology has influenced art.

We also see their multifaceted responses to the reality of globalism as well as current uprisings against dictatorship. Syrian artist Tammam Azzam’s piece, entitled “Goya’s The Third of May 1808,”interweaves a photograph of current destruction with an image from Goya’s painting as a way to symbolize how Syrian culture and art is in the process of destruction while the art and culture of the West lives on. “Refugee,” his image of a fly in a yellow sky above tents, proves remarkably potent. Egyptian artist Hazem Taha Hussein’s series “Facebook-Napeolon@2011”and “Mask of Revolution,”(2012-2013), bring the Egyptian uprising alive. These images and others serve to remind us that this art book forms part of a historical archive of how artists have addressed current tragedies and imparted their own perspectives and humanistic messages.

This review will appear in Al Jadid, Vol. 19, No. 68.

© Copyright 2015  AL JADID MAGAZINE http://www.aljadid.com
Featured image source aljadid.com, Artwork by Taha Hazem Hussein, courtesy of “View From Inside”

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2 Comments on Countering the Paradigm of Arab Othering Through Art

  1. Excellent postings, Few western Orientated critics always fail to recognise the significance of Arab Culture and its artefacts

    • I agree with that, that’s why we post them even when it means to loose a few likes. And we would post them even if we were to loose them all!

      Regards

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